Reviews3

Miura's artwork in this first volume already shows flashes of the genius that would define the medium. The Black Swordsman arc is raw, violent, and uncompromising — but it's the humanity underneath that makes it art. Guts isn't just angry. He's broken in a way that makes his violence feel like the only language he was ever taught. This is manga at its most ambitious.

This is where FMA stops being great and becomes all-time. The Briggs fortress isn't just a setting — it's a statement about what leadership looks like when there's no room for sentiment. Olivier Armstrong walks in and immediately becomes the most competent person in the manga. The political intrigue deepens in ways I didn't expect from a shonen. The military conspiracy, the homunculi pulling strings, the Ishvalan war's long shadow — Arakawa is juggling a dozen threads and none of them are dropping. The fight choreography in the snow is some of the best visual storytelling in the entire series. You can feel the cold.

The Nina chapter. I knew it was coming and it still destroyed me. Arakawa doesn't flinch.